Tuesday, December 24, 2019

School Readiness Tests Pre K 3rd Grade - 951 Words

School Readiness Tests: Pre-K-3rd grade We have come a long way from Frobel’s work â€Å"with young children in a garden setting and taking them on excursions into the countryside† (Wilson, 2011, p. 34). In today’s society early childhood education has focus on getting young children ready for school. School accountability and the achievement of students have become extremely important. Many believe that having a focus on school readiness test with the increase pressure that teachers and schools have in early childhood programs. School readiness test are not sufficient to know if a child is ready for school or not. Literature Review Frobel’s kindergarten has change and now children are expected to learn more and are tested to see if they are prepare for school. With â€Å"the passage of No Child Left Behind Act of 2001 (NCLB) and the adoption of the Common Core State Standards increased attempts to quantify what students are learning into discrete skills and universal standards,† more test have been created in order to evaluate and measure students standards even in early childhood programs (Yoon, 2015, p. 366). Our laws seem to be pushing our children to be absorbing material at a faster pace to be ready for the assessments on their readiness. Even if â€Å"evidence that children’s early adjustment and development predict important long-term outcomes†, we have yet to come to an agreement on the definition of school readiness (Hughes, Daly, Foley, White, Devine, 2015, p.Show MoreRelatedIntroduction. As We Concentrate On Closing Achievement1501 Words   |  7 Pa gesinclination and capacities to learn, according to Anderson K. M. (2007). Without differentiation, a few students will fall further behind, while others will be left unchallenged. Differentiated instruction displays pragmatic methods and procedures that instructors can use to modify learning in light of individual students’ information, abilities, experiences, inclinations, and necessities. As indicated by Tomlinson, C., the same number of schools is adjusting to a perpetually expanding wide scope of learnersRead MoreEducational Leaders And Public Policymakers4023 Words   |  17 Pagesand math skills (Barnett M. N., 2013). Similar studies have also revealed that depending upon various factors; such as preschool quality, social class and race, educational boost can continue through K-12 and well into adulthood. Various studies have shown that high-quality preschool saves schools and states money, and provide long-term benefits to children and communities (Magnuson, 2013; Heckman, 2010; Mead, 2012). A study conducted in 1995, by Betty Hart and Todd R. Riley, called the MillionRead MoreWhat Are The Consequences Of State Level Policy1048 Words   |  5 PagesLevel Policy Changes to Local School Districts Over the past decade, the Texas Legislature has made several changes to education policies that have had a myriad of effects on local school districts. The decisions made by the Legislature have hit schools hard when it comes to funding, standardized testing, school ratings, and graduation requirements. These changes have caused district and campus administrators, teachers, counselors, students, and the entire school community to be cognizant of theRead MoreEssay on The Effects of Poverty on Teaching and Learning1976 Words   |  8 PagesReflections: The Effects of Poverty on Teaching and Learning I knew I had some pre-conceived ideas and did not understand the â€Å"hype† about the effects of poverty on teaching and learning in the United States, specifically between Washington, D.C. (considered a state for educational purposes) and Arkansas Public Schools. However, even though I grew up and graduated from Washington, DC Public Schools, through research I have found that there are many similarities when when it comes to the effectsRead MoreFactors Affecting Class Attendance of Selected Bachelor of Science in Cruise Line Operatons Students6991 Words   |  28 Pagestheirlearning performance are greatly relative. Class participationis just one way of measuring a student s learning ability.School attendance is a constant concern in schools. Average dailyattendance-rates is a common determinant of school funding.Academic achievement scores are correlated withschool attendance. Excessive school absence is a precursor of schooldropout. Prevailing policies that simply mandate attendance andspell out increasingly harsh punishments for unexcusedabsences fail to takeRead MoreThesis About English Proficiency Among Bshrm Students10781 Words   |  44 Pagessocial life of most Filipinos, It plays an important role in relation to all school activities s well as to life outside the school. It is in the vein that the English language is still a medium of instruction in the present Philippine educational system mandated in article XIV sec.07 of the 1987 constitution. As the country’s second language, the significance of mastering skills in English is clearly recognized by the school system. English Proficiency is considered one of the indicators of aRead MoreOffice Administration Thesis11471 Words   |  46 Pagesteacher’s methodologies; 6.10 attitude of students; and 6.11 schedule? Majority of the respondents are in age of 17 with 28 or 47%; 43 or 72 are female; 10 or 15% are taking BS Biology; and 52 or 87% are in 1st year level. 19 or 32% of the grade of the respondents ranges 2.6 – 3.0. Students’ attitude (mean = 3.57) and Programs’ schedule (mean = 3.56) are interpreted as ‘Agree’. While teachers’ methodologies (mean = 3.33) is interpreted as ‘uncertain’. The person – related factors resultedRead Morestudy guide Essay5978 Words   |  24 Pagesï » ¿ UNIT OF STUDY GUIDE VICTORIA UNIVERSITY COLLEGE OF BUSINESS PROFESSIONAL DEVELOPMENT UNIT YEAR 2013 SEMESTER Two UNIT TITLE Professional Development 1 – Critical Thinking and Problem Solving UNIT CODE BFP1100 PRE-REQUISITES CREDIT POINTS 12 points MODE OF DELIVERY On-campus UNIT COORDINATORS NAME Raquel Licciardi EMAIL Raquel.Licciardi@vu.edu.au NAME Andrew Stein EMAIL Andrew.Stein@vu.edu.au SUNWAY LECTURERS: NAME Soon PeiRead MoreBank Management System12681 Words   |  51 Pagesproposed system 50 4.8.2 Use case diagrams 26 4.8.2.1 Use case Documentation 26 4.8.3 Entity Relationship Diagram 31 4.8.3 Relational Database schema 32 4.8.4 Class Diagram 32 4.8.5 Sequence Diagram 33 CHAPTER 5- UNIT AND INTEGRATION TESTING 51 5.1 TEST DATA FOR MODULES 51 5.1.1Funds Transfer Module 51 5.1.2 Pay Bills Module 52 5.1.3 Account Statement Module 54 5.2 USER MANUAL 55 5.2.1Registration 55 5.2.2Logging in to the Application 56 5.2.3Homepage 57 5.2.4 Main Tool Bar 58 5.2.5 Funds TransferRead MoreE T Level 4 CERT PORTFOLIO Anon27074 Words   |  109 Pagesneeds. This is initially done by way of some simple verbal questioning for instance by asking if the student has obtained a current, valid UK Provisional license? Have they driven a car before? Have they had driving lessons, have they taken a driving test? Each of these questions may prompt further questions in order to obtain a rough overview as to where the level of instruction and teaching should be pitched. It is important for us to do this initial assessment, as it will help us in deciding where

Monday, December 16, 2019

What Is Glamour Free Essays

Of all the styles of photography in the industry, perhaps the most misunderstood one out there is ? glamour?. By modern definitions, the word glamour means: ? alluring beauty or charm (often with sex-appeal)?. In photographic or modelling terms, ? glamour? , concentrates on a model? s appearance and presentation rather than the clothes she may or may not be wearing. We will write a custom essay sample on What Is Glamour? or any similar topic only for you Order Now It is about creating sexually provocative images, with the model often appearing to be in a constant state of near-orgasm! It is about the attitude, the eroticism, the mood, and sometimes nothing more than a particular look in a model? s eyes. It is also the most popular market where the majority of models can earn a relatively profitable living. There are no height or age restrictions (though you have to be at least 18-years-old before a photographer will even consider working with you on a glamour shoot), nor are there any size issues. All those pesky rules that are associated with the world of fashion simply don? apply, which accounts for the sheer number of glamour models out there. In a sense, it is perhaps the most democratic form of modelling in the industry that exists ? everyone can give it a go! Those models that do succeed in this field reach the top not necessarily by their good looks or stunning figures alone (although both help), but often by the sheer force of their personality and the professional attitude they bring to their work. In recent years, the glamour industry ? once the undisput ed province of the ? Page 3 Model? has been accepted more by the mainstream media due to the rise of the ? lad? s mags? (or ? mid-shelf? magazines), such as FHM and Zoo, to name but a few. Every industry has its stars, the undisputed queen of glamour has to be Jordan (Katie Price), who probably has the most cannily planned career of any model out there. Men want to be with her; women want to be just like her! Jordan has tried just about every entertainment outlet available to any self-respecting celebrity, and like Madonna has marketed herself as a brand to be reckoned with. Unlike other glamour models however who outstay their welcome, Jordan has also wisely seen that her days in this field are numbered, and has moved into fashion with consummate ease ? recently working with top fashion photographer, David Bailey. It has to be stressed however, that Jordan? s career is very much the exception, rather than the rule. One has to think long and hard to find a similar success story ? Sam Fox springs to mind, though the years have proved that she has had none of the enduring appeal or longevity of Ms. Price? s. The irony of the glamour industry, however, is that for many models, it is anything but glamorous! For the majority, it is about the inevitable travelling (be prepared for a lot of it! ) to and from shoots in cold, inhospitable studios and locations ? as well as the inevitable dangers present for impressionable young women on the road to fame and fortune. It doesn? t help, of course, that the term for ? glamour? has been hijacked by the more extreme ends of the industry to make porn sound more palatable as a product for both photographers and models alike. This lazy and convenient categorisation of the industry itself to label everything that is neither fashion nor wholesome, as ? glamour? , leads to inevitable confusion. We can? t tell you the number of first-time models we? ve worked with, who? ve either assumed that ? glamour? meant ? porn? , or that it involved some kind of nudity. On the other hand, weve also encountered models who? ve assumed that ? glamour? simply meant nothing more than wearing lingerie (nope, thats modelling lingerie, which isnt the same thing at all). So the long and the short of it is this: glamour modelling can range from lingerie to nude work, but it does NOT insist on nudity of any kind ? implied or otherwise. What a model is prepared to reveal is based sole on the requirements of a photographer offering work, but more importantly, it is dictated exclusively by what is agreed between both parties beforehand. Finally, glamour is not about how much you see, but how much you think you are going to see? How to cite What Is Glamour?, Essay examples

Sunday, December 8, 2019

Event Management in Australia-Free-Samples-Myassignmenthelp.com

Question: Discuss about the Event Management in Australia. Answer: Introduction Art, music and other cultural events are of very importance in the modern day society as it touches the emotional world and illuminate the inner self of human with the improvement of economy, wellbeing, society and education. Australia has a rich history of art and cultural events (McRobbie 2013). However, the way of organization of these cultural events have been changed tremendously. A range of newer events such as international film festivals, writers festivals, music festivals, new age festivals have occupied the slots of cultural events and people are attending the events irrespective of their socio-economic status or age (Mair and Whitford 2013). The Prime purpose of this assignment is to relate these new age events as a part of Australian traditional events. Further, the way these events affects the Australian economics, political, philosophical, social and historical aspects will be discussed. Finally, the way these events stands out in relation to operation, management, sust ainability, technology and management practices will be discussed properly. Timeline of events in Australia Art, music and cultural events are deeply embedded in the Australian history and it can be understood from the research study by the Australian government. This research states that, 83% of Australian population believes that art and cultural events are important for the development of society and they want to be a part of it (Art Nation 2015). Currently Australia hosts several music and film events that is famous worldwide such as Melbourne and Adelaide international film festivals, Splendour in the grass, lost paradise, harbor life, stereosonic, subsonic and many more. These events are not very new in the Australian culture and according to The Sydney Morning Herald (2010), the first music concert organized in Australia was Maleny folk festival in 1987 and since then there is a huge number of events that has been organized and financially became successful. Other than these, there is a number of different festivals such as Melbourne food and wine festival, Tropfest (the largest sho rt film festival), Sydney mardi gras (the LGBT community festival) and Vivid festival (the largest light, music and ideological festival in the world) has been organized and became big success in the event industry (Newstead 2013). Different aspects of these events Social These music and art related events have broader impact on the Australian society.The most important effect of these events on the Australian society is the multiculturalism. According to the Australian government council, the government is keen to develop multiculturalism in Australian society as it helps to sprout talent and ability within individuals and arts and music concerts are helping them to achieve this target. The success of these vents to promote social harmony and peace is such that from 2013 to 2015, 76% of population of major cities and 67% population of remote and very remote areas have attended such events every year (Art Nation 2015). Political The Australian govern is always been supportive for the art and music concerts in Australia. There are a number of music organizations such as the national opera, Opera Australia, the concert orchestras that are supported by the national government and from funding to land, allotment and transporting artists.The government bear all the cost of these events. Furthermore, the local government takes responsibility to help these events with physical facilities and employs event officers to encourage local art and craft activities (Tonkin 2012). However, there are different governmental policies that should comply with the event organization process such as environmental pollution level, public disturbance policies, noise pollution levels and staging policies.On the other hand, these concerts helps to display the political drawbacks and loopholes to the society through their music. For example, Warumpi band (1985), that used to highlight the indigenous issues of Australian government thro ugh their concerts (Tonkin 2012). Philosophical The philosophical aspect of music and art events in Australia is evident from the fact that despite of failure of big Australian events related to music, the attendance of people in such music concerts has increased from the last decade. These events has acquired a place in viewers heart. Hundreds of smaller events have been organized that offer better experience with appreciation to culturally rich artists. Therefore, philosophical impact of these events has made the Australian society competent to cultural richness (Newstead 2013). Economic Nearly entire Australian population has been visited art galleries, attended live concerts or attended film or food festivals in 2013 (94%), which describes the economical aspect of these public events in Australia (Australian Leisure Management 2016). Despite the fact that the urban Australia has improved infrastructure for art and music concerts, the attendance of rural population in such concerts proves the involvement of such events in Australian lifestyle. People have spent more than $200,000 and 11% f their household income in such concerts in year 2012 (Australian Leisure Management 2016). The importance can also be understood from the data given by the Australian Council for the Arts (2015) that determined that 40%of international visitor were involved in art related concerts in Australia and over 2.4 million artists have visited Australia in 2013-14. Furthermore, the statistical data shows that Australian cultural sector contributes $50 billion in the Australian GDP and with in that, $4.2 billion comes from these arts related events (Australian Council for The Arts 2017). Factors that make this successful events stand out Operations This section is the most important factor for event management as it is responsible for co-ordination, integration and implementationsof all the planned practices in the vent to make it engaging and successful. This involves adaptation to innovations, flexibility towards methodologies and providing the best service to the viewers and artists within the pre-decided funds. However, the most important factor is viewer engagement (Newstead 2013). The flow of the event should be engaging, otherwise bigger events with proper operational management becomes unsuccessful. One such example is the failure of Bonnaroo and Rebounded, which attracted 38 percent fewer and lowest crowd respectively than their previous attendees (ABC News 2015). Risk factors The primary risk factors for success of any art or music related concert is lack of a proper risk management system. These concerts determines gathering of millions of public gather gathering at one place and therefore different risk factors such as alcohol, minors, transportation, physical activities, size of the event, sales and fire, explosives and combustibles should be taken care of (Steffen et al. 2012). The organizers of music concert Stereosonic utilized security tools such as CCTV cameras in every angle of the concert ground, further they recruited 1000 people for the security and volunteering services and collaborated with the local police and armed forces to combat any adverse situation. Therefore, better risk management system and operations skills makes these events stand out from those, that spend all the money in organizations and neglects security factors (Aloini, Dulmin and Mininno 2012). Sustainability The relation of sustainability in the success or failure of event can be of three types and according toYeoman et al. (2012), there are three primary pillars of sustainability. These are economic success, social effects and environmental aspects. The way of pertaining to these, factors are different in every event. The economic sustainability factors inhabits local economic progress, growth, innovation, fair trade, profitable business performance, increased market capacity, better return on investments and equal sharing of profit. It is very important for the event to address the economic sustainability by providing the organizer of the event with proper amount of profit.However, if other two pillars of sustainability are not strong, the event becomes a big failure, such as the failure of Bonnaroo and Sasquatch festival in Australia in 2017 (Hall 2012). Furthermore, the social sustainabilityincorporates social justice, equity, heritage, health and safety norms, and labour standards so that the workers and organizing employees rights can be protected (Naiman 2012). Therefore, compliance of these norms determines the success of such event. Finally, the environmental sustainable factor involves proper resource utilization, air, water and sound pollution, energy efficiency, emission reduction and protection of biodiversity. While organization of such events, these factors need to be protected as without these, the government cannot grant the permission. Hence, for the successful completion of the events, compliance to environmental sustainability factors is must (Hall 2012). Technology Technological use in event management has a broader and aspect. This aspect can be utilized in safety and health related purposes in events, fund distribution and planning of the event and distribution of the tickets. Using social, print and digital media in the advertisement and marketing of the events ensures participation that is more public and it ensures more revenue generation than events that sells tickets on the counters. Further, utilizing technologies in safety and security determines proper security of attendees and impose public interest on the event (Hollnagel 2014). Conclusion Music concerts, film festivals and art galleries are the modern way to celebrate the richness of art and craft of the different culture. Australia has its own history of rich cultural events and with time, the form of these eventshas been changed. Nowadays, this country celebrate its social competency and multiculturalism with music concerts, food and art festivals, writers concerts and film festivals. These events have different effects of the social, political, economic and philosophical factors, which have been discussed in this report. Further, different management factors such as operational activities, sustainability, technology, risk management skill has been discussed, and their role in the success and failure of the events is mentioned thoroughly. Finally, it could be said that cultural competency is important for diversification of human society and these events helps to fulfill this goal. References ABC News 2015.Goodbye Soundwave, hello boutique music festivals. [online] ABC News. Available at: https://www.abc.net.au/news/2015-12-16/jones-goodbye-soundwave,-hello-boutique-music-festivals/7033172 Aloini, D., Dulmin, R. and Mininno, V., 2012. Risk assessment in ERP projects.Information Systems,37(3), pp.183-199. Art Nation 2015.An Overview of Australian Arts. [online] Australiacouncil.gov.au. Available at: https://www.australiacouncil.gov.au/workspace/uploads/files/arts-nation-final-27-feb-54f5f492882da.pdf Australian Council For the Arts 2015.The arts matter to Australia, and the data shows it | Australia Council. [online] Australiacouncil.gov.au. Available at: https://www.australiacouncil.gov.au/news/media-centre/media-releases/the-arts-matter-to-australia-and-the-data-shows-it/ Australian Council for The Arts 2017.Arts Nation An Overview of Australian Arts. [online] Australiacouncil.gov.au. Available at: https://www.australiacouncil.gov.au/workspace/uploads/files/the-cultural-economy-fact-shee-54f5fce276550.pdf Australian Leisure Management 2016.Eventbrite research shows Australians love festivals - Australasian Leisure Management. [online] Ausleisure.com.au. Available at: https://www.ausleisure.com.au/news/eventbrite-research-shows-australians-love-festivals/ Hall, C.M., 2012. Sustainable mega-events: Beyond the myth of balanced approaches to mega-event sustainability.Event Management,16(2), pp.119-131. Hollnagel, E., 2014.Safety-I and safetyII: the past and future of safety management, 1st Edn, pp. 107-125, Ashgate Publishing, Ltd.. Mair, J. and Whitford, M., 2013. An exploration of events research: event topics, themes and emerging trends.International Journal of Event and Festival Management,4(1), pp.6-30. McRobbie, A., 2013.In the culture society: Art, fashion and popular music, 1st Edn, pp. 3-22, Routledge. Music in Australia 2018.Australian Music Festivals - Music in Australia - Knowledge Base. [online] Musicinaustralia.org.au. Available at: https://musicinaustralia.org.au/index.php?title=Australian_Music_Festivals Naiman, R.J. ed., 2012.Watershed management: balancing sustainability and environmental change, 1st Edn, pp. 234-267, Springer Science Business Media. Newstead, A. 2013.Show's Over: A Recent History Of Aussie Music Festival Troubles - Tone Deaf. [online] Tone Deaf. Available at: https://tonedeaf.com.au/shows-over-a-recent-history-of-aussie-music-festival-troubles/ Steffen, R., Bouchama, A., Johansson, A., Dvorak, J., Isla, N., Smallwood, C. and Memish, Z.A., 2012. Non-communicable health risks during mass gatherings.The Lancet infectious diseases,12(2), pp.142-149. The Sydney Morning Herald. 2010.Timeline: Australian music festivals. [online] Available at: https://www.smh.com.au/entertainment/music/timeline-australian-music-festivals-20101118-17yht Tonkin, C. 2012.Australian Music Politics: Wheres The Power The Passion?. [online] tonedeaf.com.au. Available at: https://tonedeaf.com.au/australian-music-politics-power-passion/ Yeoman, I., Robertson, M., Ali-Knight, J., Drummond, S. and McMahon-Beattie, U. eds., 2012.Festival and events management, 1st Edn, 124-167, Routledge.